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The basis of our pattern-language is the folk ornamentation of Central Europe, and especially of Hungary, because the most important feature of ancient Hungarian folk art is that is represents life itself.<\/p>\n
The symbols and emblems of folk art have universal meaning. Starting from ancient times, people shaped their objects and tools to be useful, and not just useful, but also beautiful, and, more than that, to express something higher.<\/p>\n
The desire to connect with holiness was fundamental in cultures of early human communities through thousands of years. Practice, aesthetics, and sacrality were inseparably linked in each object. Thus, these everyday tools and other objects helped people to create sacred space, time and environment.<\/p>\n
We strive for this triad as well. A baby-carrying woven wrap for us is not just an object of utility which satisfies our desire for beauty: carrying is not just an everyday activity, but it is already a sacred act.<\/p>\n
Folk art does not exist alone in folk traditions, but is in union with folk poetry and folk music. Associated texts make it easier to interpret the meaning of the images. Each pattern is an old prayer, song or story woven into the wrap. Our themes are linked inseparably to motherhood, to birth, to love – to life.<\/p>\n
Our wraps are not just useful and beautiful, but they have meaning: They are Magic Wraps.<\/p>\n<\/div>\n
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